Members Exhibitions at PAAM represent the work of contemporary artist-members of the Provincetown Art Association. Many of these artists live on Cape Cod either full time or for part of the year. While the work varied greatly I media and approach, each artist-member joins a long roster of distinguished artists who have studied, taught, and exhibited at PAAM for over the past 100 years.
Mary Doering
The Solace of Music
Ink, charcoal, pencil
OPENING RECEPTION: Sunday, August 4, 2019 2-4:00 pm
Exhibiting artists: Jane Fay Baker, Craig Brodt, Ken Carson, Lee Connolly-Weill, Heidi Filmer-Gallagher, Deborah Greenwood, Frances Johnson, Carl Lopes, Brian Taylor
Lee Connolly-Weill
Floral Composition 2
Mixed media
Reception: Saturday, July 27, 4-7PM
Featuring work by 26 artists
Joyce Zavorskas
Layered Evidence (Letter L)
Oil
Every summer PAAM members sell their artwork and raise money for PAAM in the 12x12 silent auction. All pieces have a starting bid of $125.
Barbara Ford Doyle
Riflessivi, Burano
Photo inkjet transfer on oxidized aluminum, resin
The making of PXP IV #8: http://www.bfdoyle.com/blog Panel #8 is at the top center of the red lampshade.
Barbara Ford Doyle
Panel #8
Knitted and felted wool
Opening reception/Installation: Saturday, June 15, 2019 5:00 PM
Large-scale collaborative installation including140 artists. Participating artists of the “Piece by Piece” exhibit met at the Center on March 24, 2019, to receive a 15” x 15” square primed panel and a three-inch-square randomly selected piece of an iconic painting. Artists were instructed to replicate their part of the puzzle in any medium, but are urged not reveal their section to anyone – that’s part of the fun!
Each panel to be installed on a lower Gallery wall. A masterpiece of grand proportions—12 ½ feet high by 17 ½ feet wide—will be revealed at the installation event on June 15 at 5:00pm.
A number of the panels will be available for purchase for $100 each (50% of the proceeds will go to CCftA, 50% to the artist).
Sponsored by the Arts Foundation of Cape Cod
Lee Connolly-Weill
Panel #55
Mixed media
Exhibit of varied work displaying the diverse art by the 140 artists selected to participate in the 2019 Piece X Piece IV exhibit. Work includes a variety of mediums, both 2D and 3D.
Lee Connolly-Weill
Telepathic Chasm
Mixed media
Mannequins are inanimate objects with an uncanny sense of aliveness. As substitutes for human beings, they become icons of art. To reflect my sensibilities and understanding of the history of photography, I reprocess film and analogue darkroom techniques with black and white digital inversions.
Barbara Ford Doyle
The Mannequin Project: Diptych
Archival pigment strips, resin on birch panels
contact: http://joycezavorskas.com/events/workshops-2019/
Joyce Zavorskas
Long Nook Clifts
Oil on canvas
Goreyosity Shop is an exhibit and auction of new artwork repurposed from the collection of Edward Gorey to benefit the Gorey Museum and The Gorey Charitable Trust.
Alan Trugman
ants do creep and spiders crawl
In the house and up the wall
Gorey material: Large plastic ant, two large spiders
Additional materials: Monotype,birch panels, additional plastic ants and spiders
Goreyosity Shop is an exhibit and auction of new artwork repurposed from the collection of Edward Gorey to benefit the Gorey Museum and The Gorey Charitable Trust.
Alan Trugman
Lizzie's dining dilemma
Gorey material: toy lizard
Additional materials: Monotype, birch panel, plastic flies
Mary Doering
Rising
Gel transfer print on Arches 88 paper
While the theme Floating Worlds brings to mind the woodblock prints of the Ukiyo-e artists of 19th century Japan, such as Hiroshige, the concept is a universal one. Floating Worlds comprises water, air, emotion or other elements of nature or the imagination.
Barbara Ford Doyle
Fonti del Clitunno
Mixed media with digital transfer over monotype
Hello everyone,
I want to tell you about a workshop I have coming up at Cotuit Center for the Arts this spring:
Photo Inkjet Transfer Printmaking Workshop
Sat-Sun, 10am-4pm, May 4-5
Some of you have seen demonstrations or participated in various workshops I’ve given over the last few years. Others have asked when I’d be giving another transfer workshop. Well…here it is! This one will be limited to 8 participants. You will be sending me photos before the class meets on May 4th. *I need time to edit and print your photos on special transfer film. As soon as you register, we can begin working together via e-mail.
Participants in this two-day workshop will learn how photographic transfers can be applied to various substrates—perfect for beginners who are curious about alternative photographic processes or experienced artists who want to combine photo transfers in their work. Students will transfer digital images to a variety of mediums including papers, Yupo paper, oxidized aluminum, and wood panels.
*I am able to work with students on special project requests and will offer suggestions for finishing and presenting work providing an updated list of resources. You can read more about my work on my BLOG page: www.bfdoyle.com/blog …scroll to Photo Inkjet Transfers: Concord Art Association to see the variety of transfers this group produced. And visit the site of the digital collaborative ArtSynergies: www.artsynergies.com.
If you’d like to learn more or to register, contact Christine Ernst, Director of Education, Grants, Outreach CCftA: email: christine@cotuitcenterforthearts.org Tel. office: 508.428.0669 ext 201
Learn more at artsonthecape.org/explore/photo-inkjet-transfer-printmaking-workshop
Featuring the work of nearly 100 Cape Cod painters, photographers, artisans and poets inspired by one another's creations.
Opening reception: April 26, 5-7PM
Lee Connoly- Weill
Rouge Foncè is the art I submitted.
Acrylic and enamel on paper
Tension Orb is my response to a poem.
Metal, wax, paper, transparency film, rug backing, acrylic, fishing line
Featuring the work of nearly 100 Cape Cod painters, photographers, artisans and poets inspired by one another's creations.
Opening reception: April 26, 5-7PM
Martine Jore
Unfolding
Archival digital print
An exhibition of imagery from four artists who use individual frames of reference to record aspects of the human condition. Mark Chester, Mary Doering, Barbara Ford Doyle and Frank Winters share this common starting point, while each approach their subjects with distinctive aesthetics and interests.
In my series Storyteller, I provide an imaginary experience for the viewer who is invited to complete the story.
Mary Doering
Story #40
Archival digital print
Four photographers' points of view: Mary Doering, Barbara Ford Doyle, Mark Chester, Frank Winters
Street portraits and backstories from the series: I Siciliani
Before school, I would drink un cappuccino at a popular pasticceria, Brasilrecca. I could see Mount Etna in the distance and watch mothers taking kids to the bus stop, workers on scooters going to work, crews cleaning the street, a truck delivering wood to restaurants and a couple walking their dog. This image of Mario is one of my favorite street portraits—a gruff Sicilian with a cigar… and a fluffy dog.
Barbara Ford Doyle
Mario
Archival digital print
Cotuit Center for the Arts
Three-day workshop: Friday – Sunday, 10 – 2pm
Monotypes are paintings on smooth acrylic plates transferred to paper once only. Artists ranging from Edgar Degas, Pablo Picasso, Ross Moffett, and more recently Joan Snyder and Michael Mazur have used the monotype medium to express a more spontaneous and evocative range of drawing, painting, and printmaking.
Students create painterly spontaneous images on acrylic plates using small rubber brayers, brushes, Oil Bars, or stencils, and oil base etching ink. Dampened 100% rag paper placed on top of the inked plate, and passed through the press with gentle pressure, results in a unique impression that is intimately and permanently bonded with the fibers of the paper. Overprinting and contemporary experimental approaches with larger rollers produce magical surprises. The glistening layers of radiant ink create truly unique images with depth, mystery, memory, and delight. Demonstrations each day will help to develop individual explorations. Beginner to advanced students are welcome.
Joyce Zavorskas
Monotype in progress
Juried by Lauren P. Della Monica
We the People…are three powerful and widely recognizable words introducing the Preamble of the United States Constitution. This juried competition asks artists to respond to current political culture in light of the goals of the country's founders and guiding principles.
Opening Reception: April 12, 2019 from 5:30 – 7:00pm
Artist Statement:
My images combine text from the Constitution and U.S. flag graphics; colors that historically symbolize: (red for) hardiness and valor, (blue for) vigilance, perseverance, justice and (white for) purity, innocence. Gold exemplifies grandeur, wealth and posterity and is used on epaulets of military generals and references gold star members of the armed forces who have died. How does all this relate today? Red and blue are symbolic of the two predominant parties in our political structure. It is a complex world of muddled beliefs, desires, and truths. Much is at stake for a future defined by biases, fear, money and power.
Lee Connolly-Weill
Read, Red, Blue, and Gold
Digital print, transparency film, spray paint
Curated by Erin Becker: Director of Cambridge Art Association
Opening Reception: Friday, April 5 6PM
Mary Doering
Improvisation #47
Digital collage, archival pigment print
Artist’s Statement: Twenty-one artists respond to four historic oils selected form the Cahoon Museum permanent collection. I chose to respond to Daisy Hughes’ distant dunes painting Cape Dunes because it resonates with my love of painting specific landforms from direct observation at the edge of the ocean.
Opening Reception: April 12, 4:30-6PM
Panel Discussion: May 7, 2PM
Michele Dangelo, Kate Nelson, Rosalie Nadeau, and Joyce Zavorskas: Artists share the story of Twenty-One In Truro and the key to the group's longevity.
Joyce Zavorskas
Long Nook Clifts
Oil on canvas
In recognition of the twenty-first anniversary of Twenty-One in Truro, CMAA invited members to create a work of art in response to a painting from the museum's collection.
Opening reception with the artists: April 12, 4.30 to 6PM
Martine Jore
Another Summer Adventure
Archival pigment print
Artist’s Statement: The natural world is a sanctuary, a place to breath wind and think and feel, undistracted at last. I create portraits of familiar places, where ocean meets land, where hill meets sky.
June 3-6, 2019 I will teach a plein air painting class, Painting My Familiar
Details: http://joycezavorskas.com/events/workshops-2019/
Joyce Gardner Zavorskas
Ocean Empties its Poclets
Oil/sand on canvas
Artist’s Statement: Inspired by the protests of teen survivors of the shooting in Parkland, Florida, March for Our Lives (MFOL) took place on March 24, 2018. The demonstration drew thousands of protesters to Washington, D.C., and to rallies in cities across the United States and around the world. Organizers at the Hyannis Village Green called on politicians to enact strict gun-control legislation. High school juniors and seniors—A New Generation of Voters—will be 18 by the 2020 presidential election. WE THE PEOPLE can make a change to support common-sense gun reform.
Barbara Ford Doyle
March for Our Lives: Hyannis Village Green
Digital pigment prints, resin
Juried by Salley Mavor
“Creating art is serious business, but it can be fun, too,” says Salley Mavor, the juror for the exhibit. Entries for the show are pieces with a playful aspect, either through subject matter or materials and techniques. The artwork can be fun to make or fun to look at and anything from humorous to heartfelt.
Lee Connolly-Weill
Nest
Digital prints, wire, resin, acrylic, acetate, plastic screening
Juried by Jackie Reeves
Lee Connolly-Weill
The Flow of Interwoven Memories
Mixed Media: resin, digital prints, wire, acrylic paint, transparency film
The 46th annual Winter Juried show received submissions for all over the country. As a national show it exhibits a variety of quality work in all mediums.
Opening Reception Sat. February 2, 2019 6:30-9 (tickets required) Live music and cash bar and hors d’oeuvres.
Barbara Ford Doyle
La Bella Donna, Bologna, Italia
Photo transfers on mulberry paper, encaustic, resin, wood panel
The 46th Annual Winter Juried show received submissions from all over the country. As a National show it exhibits a variety of quality work in all mediums.
Opening Reception Sat. February 2, 2019 6:30-9PM (tickets required) Live music and cash bar and hors d’oeuvres.
Sara David Ringler
Reject
Monotype with image transfer
The 46th Annual Winter Juried show received submissions for all over the country. As a National show it exhibits a variety of quality work in all mediums.
Opening Reception Sat. February 2, 2019 6:30-9 (tickets required) Live music and cash bar and hors d’oeuvres.
Lee Connolly-Weill
Totum 1
Wood, metal, glue, resin,acrylic, digital prints, lichen, bark, shells
Where did Olives come from? Olive is a picture book with general information about the cultivation of olive trees, the harvesting and pressing of olives to produce oil, and the role olive oil plays in eating a healthy Mediterranean diet.
I took photographs of olive trees on several trips to Italy. L’Olivo di S.Emiliano, is registered as a protected tree near the town of Trevi. It is thought to be the oldest olive tree in Umbria and is fenced to allow tourists to visit it while protecting it from any damages.
Barbara Ford Doyle
Olive
Picture Book: Photo transfers on BFK Rives paper, encaustic
Digital transfer to birch panels is a four-step process but can be done in one action-packed day. The instructor will bring students’ imagery printed out on transfer film to the class at the Art Complex. All materials including beeswax are provided but if students have an old electric frying pan, or crockpot, or heat gun, and hog bristle brushes for oil painting, bring them to the class. Students must email their digital image to the instructor two weeks before. The finished birch transfer panels have a luminous satin surface protecting the image and are ready to hang on the wall. The info from this class can be used to continue the process at home on their own.
Students prepare an image for transfer at home on their own computers and email it to the instructor two weeks before the class. The image can be a photo of a person or place, or a photo of an original artwork, etc. The image must be 8.12” x 8.12”, slightly larger than the 8x8x1” birch panels. The instructor will print out their images on 8.5”x11” DASS Classic Transfer Film at her home, and bring to class in Duxbury to be transferred by the students.
Joyce Zavorskas
Layers Revealed
Archival digital transfer, straw, bark, twigs, encaustic/ wood
Opening reception: Friday, January 11, 5-7PM
Come celebrate the 10th Annual Members’ Exhibition in all four galleries from January 9-27. Join us to celebrate fine art in many media (photographs, paintings, sculpture, assemblage art, fabric art, etc), refreshments, and a chance to meeting an array of interesting artists.
Lee Connolly-Weill
Her Majesty
Mixed media
Reception: Tuesday, Dec. 4, 5-7PM
Sara Ringler, Vicky Tomayko, Scott Anderson, Doug Ritter, Elizabeth Hathon, Nathalie Ferrier, and Betty Carroll Fuller— plus work by Fuller's Painting II class.
Installation photo.
Reception: December 6, 5:30—7 PM
Museum statement: As we approach the darkest time of the year, promise of a brighter future helps to get us through. This theme, however, can also be understood less literally. As the writer, poet and visual artist, Kahlil Gibran wrote: If you can see only what light reveals and hear only what sound announces, then in truth you do not see nor do you hear.
Statement about piece submitted:
Fall is a transitional and oftentimes quirky season, moving us between days reminiscent of summer and afternoons surrendering to early nightfall with cool temperatures. Leaves change hue, adjusting their position on nature’s color wheel. Greens shift to a warm spectrum of reds, oranges and yellows as sunlight permeates their translucent fiber. Small, distinct patterns of color fuse to create an abstracted, engaging optical composition.
Lee Connolly-Weill
Embraced by Filtered Light
Acrylic on canvas
Gallery Talk: Structures in Print
November 20, 11:30PM
Sara David Ringler
and Counting
Mixed media
Mary Doering
Foolish Indecision #8
Archival digital print
Barbara Ford Doyle
Wonderland, triptych
Archival digital prints, birch panels, resin
Opening Reception: November 17, 2018; 5pm-7pm
Lee Connolly-Weill
Yellow Gridscape
Mixed media: acrylic, resin, digital prints, plastic
Joyce Zavorskas
Last Week in September
Oil, linen, birch
Reception: Nov 15, 5:30-8PM
Joyce Zavorskas
Oceanside Paths
Oil, linen
On view till February 17, 2019
Reception: Nov 10, 4-7PM
Joyce Zavorskas
Wind Symphony
Monotype
Sara David Ringler
Unfolding Great and Wonderful Sights
Monotype
Alan Trugman
Convocation
Archival pigment print, gel medium, birch panel
Lee Connolly-Weill
Wave I
Wire, acetate, digital prints, plastic tubing, resin, acrylic paint
Mary Doering
Improvisation 22
Archival digital print
Martine Jore
Evolution
Digital composition on dye infused aluminum
Fusion: the merging of different elements into a union.
Opening reception: November 18, 1:30-3:30
Digital Transfer Encaustic Workshop January, 12, 2019
3-D anaglyph: Two color stereo views are filtered so that only one of the two images can be seen by each eye, in that way creating a 3D effect.
Barbara Ford Doyle
The Mannequin Project
Color anaglyph
Joyce Zavorskas
Treestump Manifesto
Digital transfer, encaustic
Reception: Nov 9, 6-8PM
Barbara Ford Doyle
Ciao Madonna
Photo transfer, mulberry paper, encaustic, resin
Reception: Nov 9, 6-8PM
Joyce Zavorskas
P'Town Monument
Oil, linen, birch
Curated by Nathalie Ferrier, gallery director.
Reception: Nov 15, 5-7PM
Artist’s statement: No Exit #1 and No Exit #2 are pigment ink transfers and mixed media images. My foundation photographs are from Bologna, Italy—notably a city with a vast genre of social and political scribbled messages. The substrates are gel plate acrylic monotypes. I want my work to have a fresco-like quality by combining digital files with gold textured substrates.
Barbara Ford Doyle
No Exit #1, No Exit #2
Pigment ink photo transfer, gel monotype on Yupo paper, stamping
Curated by Nathalie Ferrier, gallery director
Reception: Thursday November 15, 5-7PM
Lee Connolly-Weill
Gridscape 1, Gridscape 3
Digital print overlays
Curated by Nathalie Ferrier, gallery director
Reception: Nov 15, 5-7
Mary Doering
Marsh
Archival digital print
Curated by Nathalie Ferrier, gallery director.
Reception: Nov 15, 5-7PM
Joyce Zavorskas
Whisper
Monoprint, chine collé
Curated by Nathalie Ferrier, gallery director
Reception: Nov 15, 5-7PM
Alan Trugman
Free Form #2, Free Form #1
Gelatin plate monotypes
Curated by Nathalie Ferrier. gallery director
Reception: Nov 15, 5-7PM
Sara David Ringler
Reject
Monotype with transfer photographs
Carol Aust | Ed Chesnovitch | Amy Kaufman | Fay Shutzer | Joyce Zavorskas
Joyce Zavorskas
Liam's Last Day
Monotype
Concurrent exhibition We Carry the Fire by artists and spouses Frances Johnson and Kevin King, who also served as jurors for Evolution.
Opening Reception and gallery talk Saturday, Sept. 8, 2018 from 5–7pm.
Lee Connolly-Weill
Life Cycles 1
Digital print on transparency film, acrylic and spray paint.
Contained Energy
Digital print on transparency film, acrylic and spray paint.
Deviant Trapezoid
Digital print on transparency film, acrylic and spray paint.
An Exhibit Featuring 42 Renowned Artists
Curated by Maggie Van Sciver
Opening Reception: Friday, August 3, 5-8PM
Lee Connolly-Weill
Moment of Solutude
Digital collage, digital print, acrylic
An Exhibit Featuring 42 Renowned Artists
Curated by Maggie Van Sciver
Opening Reception: Friday, August 3,5-8PM
Lee Connolly-Weill
Measured Moments
Digital collage, digital print, acrylic
Left Bank Gallery, 25 Commercial Street, Wellfleet, MA 02667
Reception: August 4, 6-8PM
Demo: August 15, 11-12:30PM
Joyce Zavorskas
Harbor of Hills
Monotype
Eastham Public Library
Reception: August 2, 5-6:30PM
Mary Doering
Squared Away 2
Archival digital print
Reception: Thursday, August 2, 4:30-6PM
Sara David Ringler
Ocean Currents
Etching
Reception: Thursday, August 2, 4:30-6PM
August 10-11, 9-3PM, Joyce is teaching a Monotype workshop in her Orleans studio. Please contact www.CapeCodArtCenter.org.
Joyce Zavorskas
Wave Series, Cosmic
Multiple-plate, deep bite etching
Reception: Thursday, August 2, 4:30-6PM
Sara David Ringler
Splash
Woodcut
Opening Reception, July 19, 7-8:30PM
Juror: Richard McCabe, Curator of Photography, Ogden Museum, New Orleans
Barbara Ford Doyle
Serenella
Archival pigment print, resin, birch panel
Opening Reception, July 6, 6-8:30PM
One Sunday, while on vacation in the Abaco Islands, I heard music pouring from the windows of a turquoise painted building. ALL ARE WELCOME was stenciled on the stone doorstep. It appeared not by accident that I was drawn into the fellowship of this Haitian church. My photographs are neither formal studio shots, nor are they casual street portraits—although my “studio” was in the shade of a building across from the church. That’s how Church Ladies started. It’s an on-going series.
By making a respectful connection with my subjects—even if a “sitting” is no more than five minutes—I try to capture the essence of the individual. I ask them to make eye contact with the camera, and for a few shots, not to smile. My best photographs reflect an honest interaction between my subjects and me, resulting in a narrative portrait of beauty, dignity, and a sense of faith.
Barbara Ford Doyle
Church Ladies, Donnella
St. James Methodist Church, Elbow Cay, The Bahamas
The Members' 12x12 Exhibition
& Silent Auction
Final Bids: Sunday, August 26 | 3pm
The final day to place your 12x12 bids is sneaking up! Drop in to the Museum (open daily at 11am) to see your faves up close, or go right to www.501auctions.com/paam12x12.
100% to PAAM
Barbara Ford Doyle
MacMillian Pier
Photo transfers on oxidized aluminum, resin
Falmouth Art Center, 137 Gifford St., Falmouth, MA 02540
Opening Reception: July 6, 5-7PM
Lee Connolly-Weill
Queen Anne's Lace
Mixed media
Falmouth Art Center, 137 Gifford St., Falmouth, MA 02540
Opening Reception: July 6, 5-7PM
Sara David Ringler
Apparition
Clay and ink
Rain Water on Glass is one of three images I am fortunate to have in this exhibition. For many years I have maintained a photographic practice of searching for beautiful abstracts on my daily travels. These images are straight shots, no aps, no Photoshop.
Mary Doering
Rain Water on Glass
Archival digital print
Bloom is the first integrated exhibition mounted in collaboration with Cape Cod Collaborative Arts Network. The exhibition features the work of local artists of all abilities, including artists with disabilities who have created work inspired by the theme.
Mary Doering
Peony
Archival digital print
Bloom is the first integrated exhibition mounted in collaboration with Cape Cod Collaborative Arts Network. This exhibition will feature the work of local artists of all abilities, including artists with disabilities who have created work inspired by the theme.
Opening reception: May 12, 5-7PM—Artists' talk at 5PM
Barbara Ford Doyle
Pompeii
Mixed media, photo transfer on Yupo paper
Bloom is the first integrated exhibition mounted in collaboration with Cape Cod Collaborative Arts Network. The exhibition features the work of local artists of all abilities, including artists with disabilities who have created work inspired by the theme.
Opening reception: May 12, 5-7—Artists' talk at 5PM
Mary Doering
Fantasy Bloom
Archival digital print
Bloom is the first integrated exhibition mounted in collaboration with Cape Cod Collaborative Arts Network. The exhibition features the work of local artists of all abilities, including artists with disabilities who have created work inspired by the theme.
Lee Connolly-Weill
Select Six
Acrylic on canvas
IPCNY
508 West 26th Street, 5A
New York, NY 10001
Opening Reception: May 20, 1:30-3:30pm
Sara David Ringler
Fake Eye Chart #2
Monotype
All Works Square
Juror: Jim Holland
Mary Doering
Mirage
Gelli prints on rice paper, mounted on board, encaustic
In celebration of ART Week, April 27th – May 6th, Barbara Ford Doyle will demonstrate:
Using Epoxy Resin, Friday, May 4th, 2-4PM
Resin is a two-part compound that hardens to a clear glossy finish. It can be used to create a durable finish over various substrates or even to “lift” an image from special film. This demonstration will focus on its use as a finish for fine art photographs and mixed media collages. Barbara will provide a list of resources. Read more about her work at http://www.bfdoyle.com/blog.
Barbara Ford Doyle
Fort Hill
Archival digital print, birch panel, resin
Juror Mary Moquin selected 35 printmakers to interpret the theme of Botanicals Reinterpreted
Printmakers of Cape Cod and Gallery Artists of South Shore Art Center
19 Ripley Road
Cohasset, MA 02025
Opening reception Thursday, April 12, 6-8pm
Joyce Zavorskas
Buddha Treescape
Etching/multiple plates
Part of CCMoA’s Spring focus on caring for our environment and on healing our natural environment on a global level.
Opening Reception: April 5, 5:30-7:00pm
Artist’s statement:
WARNING STRONG CURRENTS: "The concept of global warming was created by and for the Chinese…" Donald J. Trump Nov. 6, 2012.
WARNING STRONG CURRENTS: This winter two “bomb cyclones” battered the East Coast causing unprecedented high tides flooding coastal towns. Fish were reported swimming down Commercial Street in Provincetown. More frequent and powerful storms continue to erode Cape Cod’s barrier beaches.
WARNING STRONG CURRENTS: President Trump withdraws the U.S from the Paris climate accord stating, "I was elected to represent the citizens of Pittsburgh, not Paris."
Barbara Ford Doyle
WARNING STRONG CURRENTS
Found object, photo transfers
Spring Exhibitions Focus on Art & Nature
As part of the Museum's spring focus on caring for our environment, the Cape Cod Museum of Art (CCMoA) in partnership with the Association to Preserve Cape Cod (APCC) is presenting an exhibition in honor of APCC’s 50th anniversary with an opening reception for the public on March 22. APCC’s motto, Preserving the Very Nature of Cape Cod, is the inspiration for 21 invited artists. APCC has being doing great work to protect the Cape’s natural resources and address threats to our environment, and we’re proud to honor them.
Sara David Ringler
Blowing Leaves
Etching
Spring Exhibitions Focus on Art & Nature
As part of the Museum's spring focus on caring for our environment, the Cape Cod Museum of Art (CCMoA) in partnership with the Association to Preserve Cape Cod (APCC) is presenting an exhibition in honor of APCC’s 50th anniversary with an opening reception for the public on March 22. APCC’s motto, Preserving the Very Nature of Cape Cod, is the inspiration for 21 invited artists. APCC has being doing great work to protect the Cape’s natural resources and address threats to our environment, and we’re proud to honor them.
Sara David Ringler
Intersection of Time
Oil on canvas
Spring Exhibitions Focus on Art & Nature
As part of the Museum's spring focus on caring for our environment, the Cape Cod Museum of Art (CCMoA) in partnership with the Association to Preserve Cape Cod (APCC) is presenting an exhibition in honor of APCC’s 50th anniversary with an opening reception for the public on March 22. APCC’s motto, Preserving the Very Nature of Cape Cod, is the inspiration for 21 invited artists. APCC has being doing great work to protect the Cape’s natural resources and address threats to our environment, and we’re proud to honor them.
Joyce Zavorskas
Ocean Estuary
Oil on linen
VETS Gallery
One Avenue of the Arts
Providence, Rhode Island
Art League Rhode Island first sponsored and inaugurated the gallery on the third floor of Veterans Memorial Auditorium (The VETS) in 2014. Since then, we’ve enjoyed sharing an address with The VETS, which is listed on the National Register of Historic Places. The VETS has held a unique place in the cultural life of Rhode Island as a performance venue. With our continued sponsorship of The VETS Gallery, we are proud to enhance that cultural experience.
Opening Reception: March 29, 5:30-8:30pm
Sara David Ringler
Reject
Monotype with photo-transfer
Amy Holms George: Juror’s Statement: I believe there is an element of magic that unites all this work, along with the unusual capacity to connect with the viewer in deeply profound ways. I was especially fascinated by images that emerged from developed bodies of work, in which the artist is pursuing a cohesive photographic vision. It’s always exciting to discover an artist who understands how to harmonize his/her creative voice, establishing a signature style that can be easily identified yet does not appear formulaic, familiar, or redundant. Also, I encountered a lot of work that surprised me with its clever transcendental quality—taking me somewhere else, a place of the artist’s invention. Much of the beauty of a photograph is in its inherent nature to communicate a “truth.” However, many of the images in this show challenged my sense of what’s real.
Mary Doering
Tending the Children
Archival digital print
Monoprints and Mixed Media
The Balcony Gallery
Cape Cod Hospital
27 Park Street
Hyannis, MA 02601
Sara David Ringler
Kite Flight One
Monoprint
Artwork created in response to the poem, The Secretary written by Heidi Scheffler.
Lee Connolly-Weill
And Then
Digital collage
Martine Jore
Safe Passage
Archival pigment print
Mutual Muses X: A Marriage of Visual Art and Poetry features the work of nearly 100 of the Cape’s finest painters, photographers, artisans, and poets inspired by one another’s creations. Come meet the artists and poets and enjoy their work and refreshments. All are welcome.
Opening reception 2/16/18 5-7pm, readings by poets 7-8pm
Artwork to be interpreted by a poet.
Lee Connolly-Weil
Reflection
Mixed media
This annual collaborative show between the Cape Cod and Islands Art Educators Association and Barnstable Municipal Airport highlights artists' interpretations inspired by Cape Cod. This year’s jurors include Mr. Sam Barber, Mr. Roland Breault and Ms. Mellissa Morris.
Lee Connolly-Weill
Floral Study 1
Mixed media: acrylic paint, transparency film, digital print
Electronic technologies impact astounding aspects of our lives, transforming the way we communicate and behave. They are fast and prolific. The over abundance of information we are bombarded with daily can be overwhelming and upsetting. Do we exchange and share too much with excessive messaging, posts, tweets? How do we stop the annoying, intrusive and distracting “noise?”
Superimposed images depict a fury of mixed thoughts being processed by the mind. Graphical representations of sound signals illustrate the strength and frequency of information bombarding us incessantly. To deal, we rely on coping mechanisms to help manage internal or internal stress: separate from a situation, perform a calming ritual or even have a melt down.
Feel overburdened? Can’t keep up? Anxious?
STOP. UNPLUG. BE FULLY PRESENT.
Lee Connolly-Weill
Unplug
Archival digital print
This subject matter, Sensory Overload, makes me smile. It represents a chance to abandon all ideas of how my work is supposed to look. I enjoy total artistic freedom to let loose and play with color, line and composition. The dance with serendipity feels magical. When I am loyal to my inner child, the work itself becomes a great adventure.
Mary Doering
Sensory Overload #1
Archival digital print
Mannequins are inanimate objects with an uncanny sense of aliveness. Making them more (or less) human-like leaves us with feelings of ambiguity. As substitutes for human beings, they become icons of art.
With a sense of detachment, mannequins at Serenella, Newbury Street’s “premier luxury boutique,” watch over pedestrian traffic below. An overload of photographic information is superimposed as one image by using multiple exposures and capturing reflected details.
Barbara Ford Doyle
Serenella
Archival digital print, resin
Copley Society of Art
158 Newbury Street
Boston, MA 02116
Joyce Zavorskas
Newcomb Hollow Tideline
Oil/linen
Cultural Center of Cape Cod
307 Old Main Street
South Yarmouth, MA 02664
Lee Connolly-Weill
Seasons Illuminated
Mixed media
Opening reception: Saturday, Dec.9, 2-4PM
Mashpee Public Library
64 Steeple Street
Mashpee, MA 02649
Barbara Ford Doyle
Mannequin Project
Mixed media, photo transfers on tengucho paper
Opening reception: Saturday, Dec.9, 2-4
Mashpee Public Library
64 Steeple Street
Mashpee, MA 02649
Lee Connolly-Weill
Floral Study I
Mixed media
Opening reception: Saturday, Dec.9, 2-4
Mashpee Public Library
64 Steeple Street
Mashpee, MA 02649
Joyce Zavorskas
Edge Environment
Monotype
Opening reception: Saturday, Dec.9, 2-4
Mashpee Public Library
64 Steeple Street
Mashpee, MA 02649
Sara Ringler
Scorton Creek
Digital alteration/encaustic
Cape Cod Media Center
17 Shad Hole Road
Dennis Port, MA 02639
Lee Connolly-Weill
By the Sea
Mixed media
Reception: November 17, 5-7PM
Martine Jore
Into the Light
Digital print on metal
Reception: November 17,5-7PM
Alan Trugman
Vaaskat
Cotton, Shirbori resist dye
Opening reception: November 17, 6PM
Joyce Zavorskas
Bush and Shadow
Drypoint, chine collè
A large-scale invitational exhibition featuring works in a multitude of traditions and media representing the manifestation, goals and ideals of Bodhisattva. The artists of the show have prepared their works under a directive from the Mahayana Buddhism meaning of Bodhisattva: a human being committed to the attainment of enlightenment for the sake of others.
Reception: November 17, 5-7PM
Mary Doering
Kuan Yin
Archival print of trace monotype edited in Adobe Photoshop
Opening Reception: November 17, 6PM
Barbara Ford Doyle
Immature Mockingbird
Photo transfer on mulberry paper, encaustic
Opening Reception: November 17, 6 PM.
Mary Doering
Orange Crush
Mixed media on birch panel
The monoprints with baby dolls are about the fragile treasure of the creative mind seeking acceptance and nurturing from established mentors in art. For me the mentors are esteemed artists whom I have admired and whose classes I enrolled in over the years. They would include Michael Mazur, Tetsuo Ochikubo, George Nama, and Constance Jacobson in Printmaking, and Joan Snyder, Gregory Amenoff, Bernd Haussmann, and Lois Dodd in abstract Painting.
Reception: November 17, 5-7PM
Joyce Zavorskas
Whisper
Monoprint, archival inkjet
Reception,Tuesday Dec. 5, 4-6pm
This collection showcases the professional work of the artists/educators who teach courses ranging from drawing, design, painting, and sculpture to mosaics, silk screening, printmaking and graphic arts.
Sara Ringler
Wanderlust
Handmade book surrounded by collagraphs and monotypes
PAAM selected works to showcase art from Senator Cyr's district at the State House in Boston.
Reception: Thursday, February 1, 2018, 3-5PM
Joyce Zavorskas
Wandering at Whitecrest
Monotype
Sara David Ringler
Earth and Sea
Monotype
Sara David Ringler
Foggy Day
Monotype
Mary Doering
Marsh #1
Archival digital print
Mary Doering
Blue Water
Archival digital print
Lee Connolly-Weill
By the Sea
Archival digital print
Lee Connolly-Weill
Seasons
Archival digital print
An invitation from Annie Dean, Director of Programs and Exhibitions: For this exhibition, the jury is seeking works that highlight the artists' interpretation of the natural beauty of Cape Cod—the land, sea and skyscapes, as well as the world beneath the sea. Selection of work is based on how prints "speak" to one another visually and thematically to create a viewer experience that encapsulates a sense of beauty.
Barbara Ford Doyle
Red, Right, Returning
Photo transfers, collage, resin
Artist's statement: Chatham’s barrier beaches and inner shorelines constantly change—a dynamic ebb and flow of waves, currents, winds and tide. On April 1, 2017 ocean water surged through a “break” in South Beach creating a navigation channel to Nantucket Sound. Mariners returning from sea, position the red buoy to their right.
Reception: Friday, August 4, 6-8PM
Artist Statement: I do not think of myself as a photographer, printmaker or a painter. Rather— without being identified by a single one—I feel free to move past the confines of traditional media or genres. I draw from and mix together an endless variety of available material. Each digital print begins by choosing images from my extensive collection of scanned original paintings, monoprints, photographs and personal markings. Elements are then layered over one another. Hard edges, line, and color fields combine in surprising ways. Blending modes are used with careful attention to color, form and composition. Transparent multilayers echo fainter versions of shapes and textures. By keeping the process fluid, I enjoy a cross-pollination of the various disciplines. Using my computer as both a tool and a partner, I am free to experiment throughout the process. The resulting combined-media image cannot be made by any other means.
Mary Doering
The Invention of Maps
Archival digital print
Reception: Friday, August 4, 6-8PM
Artist Statement: Joseph Campbell writes that all myths deal with transformation of the consciousness of one form or another, either by trial or illuminating revelations. My images represent common themes in women's lives. The photographs never ”tell” but hint at universal stories. I purposely leave the viewer with insufficient information, letting the images evoke an emotional response. Each photograph hovers between the fiction of reality and storytelling.
Mary Doering
Because I Can
Archival pigment print
Reception: Friday, August 4, 6-8PM
Artist's statement: Cast from life or not, a mannequin is an idealized human figure. To reflect my sensibilities and understanding of the history of photography, I reprocess film camera and analogue darkroom techniques with an iPhone camera multiple exposure app. Although exposures are random, I can predict specific overlapping results and make only small alterations in the computer darkroom. From different points of view, layers of information superimpose in one print.
Barbara Ford Doyle
Triptych: Wonderland
Pigment prints on birch panel, resin-coated
Opening Reception: July 21, 8PM
PAAM is proud to hang works by emerging and established artists side-by-side in this annual exhibition, a celebration of the high level of creativity and achievement of PAAM members. Bidding starts at $125 and climbs by demand throughout the exhibition.
Barbara Ford Doyle
Rigging of the Kalmar Nyckel
Photo on birch panel, resin-coated surface
Tuition: $150. plus a $25 materials fee includes plates, paper, ink and modifiers.
To register: 508-945-3583 maximum 8 students
www.capecodcreativearts.org/workshops
Monotypes are paintings on smooth acrylic plates transferred to paper once only. Artists ranging from Edgar Degas, Pablo Picasso, Ross Moffett, and more recently Joan Snyder and Michael Mazur have used the monotype medium to express a more spontaneous and evocative range of drawing, painting and printmaking combinations.
Students will make painterly spontaneous images on acrylic plates using small rubber brayers, brushes, Oil Bars, or stencils, and oil base etching ink. Dampened 100% rag paper placed on top of the inked plate, and passed through the press with gentle pressure, results in a unique impression that is intimately and permanently bonded with the fibers of the paper. Overprinting and contemporary experimental approaches with larger rollers produce magical surprises. The glistening layers of radiant ink create truly unique images with depth, mystery, memory and delight. Demonstrations each day will help to develop individual explorations. Beginner to advanced students are welcome. Clean-up will be with baby oil or Simple Green.
Zavorskas Print Studio is air-conditioned and close to Quanset Pond and Pleasant Bay beaches.
Juror’s Statement (condensed)
In my mind and through my eyes, this exhibition is an expression of life, creativity, and ultimately, of love. It is through the lens of love that we cherish the days past and the memories. Emotions of longing, pain, and regret are available through exploring history. While it is our collective love of our humanity and the creatures that inhabit the planet that creates concern for others and our home. Finally are the moments of beauty that remind us to be present.
It is through these artists that we can see the world in a new way. We, in the photography world, are in an exciting time of growth in the myriad of ways that photographic artists can express themselves. Old meets new with a mash-up of approaches and a host of techniques unavailable just a few years ago. While the art isn’t about technique, the ways that people are able to make the work have expanded exponentially. We are the beneficiaries of this wave of innovation and creativity.
– Hamidah Glasgow
Mary Doering
Story 13
Archival pigment print
One hundred and fifty artists replicated a single 15-inch square of George Seurat's "Sunday Afternoon on the Island of Grande Jatte." Each panel is for sale at $100. ArtSynergies members: #43 Joyce Zavorskas, #62 Alan Trugman, #106 Barbara Ford Doyle, #117 Sara Ringler, #124 Lee Connolly-Weill. Participating artists have additional work on display in the upper gallery.
*Stephen Sondheim's" Sunday in the Park with George"...opening July 6th thru 30th.
Sunday
By the blue
Purple yellow red water
On the green
Purple yellow red grass
As we pass
Through arrangements of shadows
Toward the verticals of trees...
* by Stephen Sondheim
Congratulations! I am very pleased to tell you that one of your images was selected for exhibition in our Online Gallery Annex.
The exhibition catalog for Honoring Trees is now available for viewing and purchase:photos@photoplacegallery.com Your work was selected by juror Laura Valenti and is included in the catalog.
Barbara Ford Doyle
Barrier Beach Erosion #1
Archival digital print
I am honored to have an image selected for Black and White Magazine's 2017 Contest: Smartphone Images
wwwBandWmag.com Issue #121, June 2017
Mary Doering
All Locked Up, Bartlett, NH
I am honored to have four images receive a Merit Award, Special Issue #122, in Black and White Magazine. www.BandWmag.com.
As some of you may know, I grew up in a very small town, Goodrich North Dakota (current pop. 67). Last summer I took a course with Tillman Crane photographing abandoned homesteads in North Dakota. We spent a week in Minot, the geographical center of North America. I was able to document my grandparents homestead started in 1900. The sod house is long gone but the farmhouse still remains along with memories of my hearts favorite place on earth.
Mary Doering
Abandoned #9, Rolette County, North Dakota
Congratulations! Your entry in the Black & White Portfolio Contest 2017 has been selected for a Merit Award. Several of your images will be published as a 2-page spread in the Special Issue #122 of Black &White magazine, scheduled to arrive on newsstands early June.
Barbara Ford Doyle
Sandscape #6
Mary Doering
Home: Night and Day
Mixed media
Juror’s statement:
The world from 30,000 feet is a huge puzzle made up of shapes, colors and endless strings of connections and roads. within that chaos we find places to live - we choose a place - the place becomes us and we become that place. When you need to move on, whether by choice or force, you can choose what pieces to take with you… or not.
- Toni Spadafora
Lee Connolly-Weill
Grandmother's Wheelbarrow
Mixed media
Alan Trugman
When the nearest motel is home for a night
Diptych: digital print, birch panel, gel medium
A Gallery of Fine Art & Fine Crafts
Sara David Ringler
Cricket Dance
Altered ink/painting/digital
Reception: April 28, 4-7PM
Joyce Zavorskas
Future Possibility of the Planet
Oil/panel
Joyce Zavorskas
Receding Tide
Etching/aquatint
Opening Reception and Gallery Talk: Saturday, April 8, 2 to 4 PM
Jane Lincoln presents: Understanding Color, Thursday, April 13, 2-4PM
Reservations requested but not required: (508) 222-2644 ext 10
Joyce Zavorskas
Ocean Odyssey
Oil on canvas
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Opening Reception and Gallery Talk: Saturday, April 8, 2-4PM
Jane Lincoln presents: Understanding Color, Thursday, April 13, 2-4PM
Reservations requested but not required: (508) 222-2644 ext 10
Martine Jore
Zoom In (detail)
Archival pigment print
April Issue #120 – 2017. Thank you B&W Magazine for a wonderful article and printing seven images from my Storyteller Series. To see more images go to www.marydoering.com Storyteller.
Mary Doering
Story #30
At this complex time in our culture we are being encouraged to express our thoughts and feelings, even though, at the same time, we can face increasing attacks for expressing them. We reached out to artists to discover how this conflicting message is effecting their artistic expression. The artists’ expressions range from the deeply personal to the clearly political, and take diverse forms, from the use of traditional media to the use of new digital media and abstract concepts that speak to our times.
Edith Tonelli, director of Cape Cod Museum of Art
Mary Doering, one of seven Cape Cod artists
Free Play #3
Photo transfer on BFKRives paper
In January of 1943, Peggy Guggenheim shocked the art world by devoting an entire exhibition at her Art of This Century Gallery to women artists only. 31 Women was the first of its kind, devoting the gallery space exclusively to modern women artists, most of whom were operating in New York.
The James Library & Center for the Arts is reinterpreting this revolutionary exhibition as a fundraiser for 2017.
Joyce Zavorskas
Layered Evidence
Oil on canvas
Artists submit works in all mediums and sizes that are inspired by fire in their subject matter or theme, or in some way utilize fire in their creation such as ceramics, glass encaustic or welding etc.
Lee Connolly-Weill
Flame Out
Mixed media
Artists submit works in all mediums and sizes that are inspired by fire in their subject matter or theme, or in some way utilize fire in their creation such as ceramics, glass encaustic or welding etc.
Alan Trugman
Red-Orange-Blue
Digital print, birch panel, encaustic wax
Creative Art Center in Chatham is sponsoring an etching class here in my
Orleans printmaking studio February 17- 19, 9-2 pm.
Contemporary and traditional techniques, etch and print your own copper plates.
Register with Creative Art Center 508-945-3583.
Joyce Zavorskas
Evolution
Etching/aquatint
Juror: Sarah Johnson, Director and Curator of the Cahoon Museum of American Art.
Barbara Ford Doyle
Lost in Art, Whitney Museum, NYC
Archival pigment print
“Mutual Muses IX: A Marriage of Visual Art and Poetry” features the work of nearly 100 of the Cape’s finest painters, photographers, artisans, and poets inspired by one another’s creations.
Alan Trugman's Tiny Hands in response to poem November by Brooke Styche
Digital collage
“Mutual Muses IX: A Marriage of Visual Art and Poetry” features the work of nearly 100 of the Cape’s finest painters, photographers, artisans, and poets inspired by one another’s creations.
Art Reception & Poetry Reading: February 17, 5-7PM
Alan Trugman
Dissolution
Mixed mediaa
Co- Sponsored with the Cape Cod Viewfinders Camera Club.
Barbara Ford Doyle
Storm Surge
Archival pigment print
Interpretation of the theme.
Manufacturers design camping trailers with many of the amenities of home—refrigerators, flushing toilets, TVs, air conditioning. Some even come equipped with solar panels. The RV lifestyle is made up of outdoor enthusiasts and of those interested in traveling and camping rather than living in one location. Many retirees “snowbird” to Florida in the winter and return North in spring.
The owners of this camper have established more permanent roots—Be it ever so humble, there's no place like home….
"Home! Sweet Home!" (also known as "Home, Sweet Home") is a song adapted from American actor and dramatist John Howard Payne’s 1823 opera Clari, or the Maid of Milan; the song's melody was composed by Sir Henry Bishop with lyrics by Payne.
Barbara Ford Doyle
Home (Not Too Far Away) from Home
Archival pigment print
Interpretation of the theme:
"Personal Space" is the physical space immediately surrounding someone, into which any encroachment feels threatening to or uncomfortable. In order to maintain a creative balance in my life I need time alone to think, reflect and absorb the visual beauty of my natural surroundings. This happens most often during walks along the beach, in the woods or in my yard.
The increased use of drones impacts individual privacy because they are unwelcome interruptions and uninvited prying eyes when the pursuit of seclusion is the ultimate outcome.
Lee Connolly-Weill
Aerial Intrusion
Digital illustration
Artist’s statement: Hipstamatic is my favorite iPhone app because of its aesthetics to film photography. I shot a series of photographs from a taxi using multiple exposures to add subtle layers of space-related information. The giant sculpture of Atlas suggests the past as a point of reference to the human activity on the street.
Barbara Ford Doyle
Every Which Way, NYC
Archival pigment print
Lee Connolly-Weill
Mixed media, digital print, acrylic paint
Changing Course
Mary Doering
Multi-layered photograph mounted on birch panel
Boxed In
Barbara Ford Doyle
Archival digital print
Washington Square Park, NYC
Barbara Ford Doyle
Monotype, photo transfer on Yupo paper
Street Art NYC 1/1 #7
Barbara Ford Doyle
Monotype, photo transfer on Yupo paper
Street Art NYC 1/1 #15
Mary Doering
Gel transfer on Arches 88
Triangle Study #14
An exhibition exploring image-making using a variety of combined media.
Sara David Ringler
Photo, painting
Girls
Lee Connolly-Weill
Mixed media
Illuminated Past
Martine Jore
Archival digital print
Digital Anthotype
Joyce Zavorskas
Photo transfer, organic material, encaustic
Agglomeration
Alan Trugman
Laminated digital print
Mad. Sq. Eats
Mary Doering
Digital collage
Improvisation #23
Barbara Ford Doyle
Monotype, photo transfer on Yupo paper
1/1 Street Art NYC, #14
The Ex-Libris Exchange is an international art project sponsored by the BSSCA in which 26 contemporary artists will each make an original "Artist's Book" and map in response to a handwritten and illustrated journal created by Georg Daniel Flohr: click here to view the project website.
Sara David Ringler
Handmade accordion book and map with transfers and watercolor
Unfolds to 8 feet
Barbara Ford Doyle
Room 307
Juror’s Statement:
Photographs that convey a “sense of place” blend the physical characteristics of a scene, landscape or object with the mysterious essence that emerges from gradually and perhaps unconsciously inhabiting a place over time. The photograph ceases to become an objective document. Instead, it takes on a particular feeling that is invested with something that is often intangible, revealing a deeper understanding of what lies beneath the surface.
How is this “sense of place” communicated in a photograph? Many components including light, content and composition are important, as are clarity and craftsmanship. A well made photograph, for me, is the visual equivalent of a poem, evoking feelings and emotions. A quote from an essay in The Atlantic by Mark Yakich, “What Is a Poem,” states… “A poem helps the mind play with its well-trod patterns of thought, and can even help reroute those patterns by making us see the familiar anew.”
Subjectivity, of course, is inevitable. Selecting photographs is necessarily contingent of the particular jurors taste and aesthetic. That said, it was a privilege and honor to jury “A Sense of Place.”
Jane Fulton Alt
Lee Connolly-Weill
Mixed media
Inside Outside
This juried exhibition is open to all 2D and 3D interpretations of the theme.
Submissions will be chosen by residential designer Linda Scott. Linda holds degrees from the University of Wisconsin Madison and California College of Arts and Crafts in graphic arts and environmental design. She was principal and lead designer for her San Francisco-based company Scott Design Associates from 1979 to 2014. The company specialized in new residential building design and renovations as well as interior design.
Barbara Ford Doyle
Archival pigment print
Room 307
Mary Doering
Photograph
Interior
Juror : Dean Brierly, editor of Black & White magazine has selected 35 images for exhibition in the gallery and another 40 images for exhibition online.
Gallery Exhibition
Barbara Ford Doyle
I Siciliani: Roberto
Joyce Zavorskas
Monoprint
Shifting Priorities
Barbara Ford Doyle
Photo transfer, Yupo paper
Street Art NYC #1
Sara David Ringler
Series of ancient artifacts created with cut stencil and fabric
Blue Vase
Mary Doering
Photo transfer
Undercurrents #2
Mary Doering
Photographic diptych
The Light Came and No One Received It
Excellence Award
4-page spread published in the August Special Issue #116 of B&W magazine.
Barbara Ford Doyle
I Siciliani: Carmen
Barbara Ford Doyle
Archival pigment print
I Siciliani: Maria
Lecture/slide show presenting the history of digital art and an overview of the different ways an artist can use cameras, scanners, computers and current software as creative tools.
Martine Jore
Archival pigment print
Riding High
An invitational group of 21 women artists known professionally as TWENTY-ONE IN TRURO convene annually for a week of retreat and companionship. This focused interval offers them the opportunity to express their individual responses to the natural beauty of the Outer Cape. During this time, dedicated to joy and ease, they support one another in meeting the challenges of leading a creative life.
Martine Jore
Archival pigment prints
The Story of Rare Earth Elements
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Mary Doering
Mixed media collage
Everything is Momentary and Endless
Juried by Vicky Tomayko and Marion Roth
Barbara Ford Doyle
Gel transfer, polyester plate lithograph
Il Fumatore
Juried by Vicky Tomayko and Marion Roth
Mary Doering
Transfer print on birch panel
The Inquisition of Eve
Juried by Vicky Tomayko and Marion Roth
Sara David Ringler
Monotype
House of Mysteries
Juried by Vicky Tomayko and Marion Roth
Joyce Zavorskas
Transfer print, fishline, straw, bark, grasses, encaustic, wood
Ancient Cedar Bog Beneath
7pm Reception: Series of street photographs: I Siciliani
7:30pm Screening of the 1989 Academy Award Best Foreign Language Film
Cinema Paradiso
Directed by Giuseppe Tornatore. Tornatore's best known film narrates the life of a successful film director who has returned to his native Sicily for the funeral of Alfredo, his mentor.
Issue 115 June 2016
For Doyle, digital photography exists less in opposition to analogue than as a space to explore the new tools represented by the countless number of apps available to modern photographic artists. The chance to find apps that "reflect my particular artistic sensibilities and understanding of the history of photography" enables the journey from snapshot to highly expressive personal imagery. —George Slade
Barbara Ford Doyle
In Campagna #1, Val d'Orcia, Italy 2014
Issue 115 June 2016
The omnipresence of smartphone imagery has radically impacted the medium of photography. The ease of image capture, manipulation and upload to the rapidly expanding universe of online platforms has opened up expressive possibilities to billions of people the world over. Granted, not every photo taken with a phone is a prize-winner, but with impressive megapixel numbers and numerous apps, filters and features, the smartphone camera has become a serious fine art tool. In recognition, we created this contest to help stimulate smartphone photo creativity.
Mary Doering
The Mask
Using DASS ™ film and various transfer solutions, this two-day workshop will enable participants to see how photographic transfers can be applied to various substrates—perfect for beginners who are curious about alternative photographic processes and for returning participants who want more hands-on time making inkjet transfers to a variety of mediums including papers, limestone “paper”, oxidized aluminum and wood panels. Registrants will email digital photos prior to the workshop to be enhanced and printed on transfer film. Barbara also can work with students on special project requests. She will offer suggestions for finishing and presenting work and provide an updated list of resources.
Click here to contact
Washing transfer to limestone paper.
Hyannis Municipal Airport
A juried exhibition showcasing members of the Cape and Islands Art Educators Association on display summer 2016.
Lee Connolly- Weill
Digital print
Blue Star Mandala
Juror’s Statement: Traer Scott
I often say that animals make me human. I am eternally captivated and inspired by the beauty, honesty and intelligence found in all corners of the animal kingdom. Unfortunately, as we humans become a bigger, louder and more pervasive animal, many other species are suffering in countless ways. However even as our planet and the animals that inhabit it are perhaps at the peak of crisis, I also believe that as a society, we are at an apex of collective consciousness and compassion.
I was heartened to see so many submissions examining and exploring the relationships we have with animals, celebrating their amazing adaptations and abilities as well as in some cases, their pure and visceral “animal-ness”. My selections for Animalia are images that evoke curiosity, sadness, discomfort, wonder, humor and awe, all of which are emotions that I regularly feel when contemplating the beauty and fragility of the animals that we share our planet with.
Online Gallery
Barbara Ford Doyle
Garrett
Opening Reception: Friday, 03/18, 5-7PM
This show will move to Barnstable Public High School Gallery in April.
Lee Connolly-Weill
Mixed media
Out on a Limb
Joyce Zavorskas: two works accepted.
Juror: Michael David, Art Dept. Chair Leslie University
Reception: March 3, 5:30 - 7:30PM
Joyce Zavorskas
Monotype
Winter Storm
In celebration of Youth Art Month the Members of the Cape Cod and Islands Art Educators Association have invited current and/or former students to exhibit their work next to the work of their teachers. “Side by Side” will be on display at the Cultural Center of Cape Cod showcasing the talents of many student/teacher artists of all ages. The art will be for sale with 20% going to support the CCIAEA Scholarship Fund, 20% going to the Cultural Center of Cape Cod and, 60% going to the artist.
Lee Connolly-Weill
Layered Connections
PAAM’s Exhibition Committee has invited Arlette and Gus Kayafas, of Boston’s Gallery Kayafas, to select the works to be included, with the guideline being to simply choose what they are drawn to.
My friend, Paolo, at opening.
Photo transfer on tengucho paper, encaustic on birch box
Diptych: La Donna and Paolo: Overexposed
An exhibition including three monotype prints by Sara David Ringler juried by Harvey Breverman Distinguished Professor Emeritus, SUNY Buffalo.
View here.
Sara David Ringler
Third Place: Monotype print
Distant Moon
Opening reception: 02/05, 5-7PM
Lee Connolly-Weill
Digital print
Old Friends
Juror’s Statement:
My selections for In Celebration of Trees represent a very high diversity of tree species, settings and styles. Foremost among my criteria, each image reveals the centrality of tree-as-subject, supported by composition and legibility. Even the shortest narrative must roll from the tongue of the photo, to tell of the tree’s vitality, adaptability, steadfastness, or vulnerability and awkwardness.
In some images, the intellect and calculations of the photographer can be noticed, and in others a simple spontaneous elation from seeing light on leaves carries the message that this tree is important. These higher levels of Tree Consciousness speak well for all who participated. By nature, I tend to stay away from the infrared filtration and color enhancements, but I found the representations of apparent early photo techniques generally intriguing.
Trees are a challenging photographic subject. There are days when none appear worthy of exposure, but even so the search can be good mental conditioning for the right opportunity to appear.
Tom Zetterstrom
In the gallery:
Mary Doering
Digital pigment print
Palms Tampa
Sara Ringler
Accordion book, ink drawings, marbled and paste papers
Seeing the Trees
The CAPE AND ISLANDS ART EDUCATORS ASSOCIATION (CCIAEA) was founded in 2003 as a collaborative effort between prospective, current and retired art educators and their supporters. Led by a volunteer advisory committee representing the diversity of our community, the association represents a cross-section of the visual art education community on the Cape and Islands. Regular monthly meetings range in content from hands-on activities, guest artists and lectures, demonstrations of best practice to arts advocacy. Meetings are held at area schools and other cultural institutions. Meetings are scheduled once a month from September to June. The Board of Directors meets monthly prior to member's meetings. We are devoted to the nurturing and support of the goals and aspirations of art educators in the Cape and Islands region. We believe that sharing work and life experience actively encourages the social, academic and creative growth that enhances our classroom performance and enriches the content we provide our students. We are devoted to finding avenues of ongoing educational opportunities for ourselves and our community. We also believe that as a collective group we can speak with a clear and weighty voice to those issues directly impacting the access to and quality of art education across the region.
Lee Connolly-Weill
Mixed media
Totem 1
Joyce Zavorskas
Oil on canvas
Dune Forest Approaching Rt 6
The Arts Foundation of Cape Cod will host its 9th Annual Member Winter Art Exhibit January/February 2016 at the Cotuit Center for the Arts. The 2016 exhibit is titled Balancing Act, and will feature 54 artists’ interpretations of that theme – literally and figuratively. All Cape Cod established and emerging artists submit art for consideration and are selected by jury. The exhibit will open with an invitation-only reception on January 9, 2016 at 7 p.m.
Barbara Ford Doyle
Archival pigment print
Chesterwood: Balance in Nature
Mary Doering
Archival pigment print
Mandala #2
Amy Heller
Cyanotype on silk in backlit frame
Assis LaChaise
Lee Connolly-Weill
Mixed media
Interface
Lee Connolly-Weill
Mixed media
Interface 1
Mary Doering
Gel transfer on BFK Rives paper
Palm #1
ArtSynergies members Mary Doering, Barbara Ford Doyle, Sara David Ringler, Joyce Gardner Zavorskas are part of this exhibition.
Barbara Ford Doyle
Gel transfer on BFK Rives paper
The Samian Sibyl
Sara David Ringler
Monotype print
Harvest Moon
ArtSynergies - "Exposure Beneath the Layers"
The Journal Project - "Keys: Connecting" featuring The Key Idea
The Barnstable Patriot, written by Patriot staff:
Eight members of the ArtSynergies group are convening their work at the center, presenting "Exposure: Beneath the Layers," a wide-ranging exhibition theme whose varied definitions have inspired the collaborative to create work with both introspective to environmental interpretations. Works range from abstract to representational, surrealistic to playful, and include both two- and three-dimensional pieces. Processes include photo transfers, cyanotype, encaustic, photography, and various types of printmaking methods.
The theme of "exposure" sets out to explore many definitions of the word: "The act of exposing, laying open, or uncovering; unearthing, unmasking, weathering; disclosure, as of something private or secret."
All ArtSynergies artists work to combine computer technology with traditional media, and creative process is fully explored in the new works and varied experimental techniques of the eight artists: Mary Doering, Barbara Ford Doyle, Amy Heller, Martine Jore, Sara David Ringler, Alan Trugman, Lee Connolly-Weill and Joyce Gardner Zavorskas. Each uses digital imaging as one of many methods for making art, expanding on the definitions of collage, montage, and mixed media.
Mary Doering, Barbara Ford Doyle and Martine Jore formed ArtSynergies in 2006, meeting regularly to share information about digital image-making and computer technology. In 2013, five more artists joined the group, and in 2014 all eight members exhibited in a show titled "Printmaking Invitational: Alternative Processes" at Cape Cod Community College. The collaborative continues to grow and explore media and the process of making art.
Juror Carlan Tapp: "it was an exciting thought to see how photographers feel, express, and share the experience of places they may encounter during their journeys."
View exhibit at www.photoplacegallery.com.
Barbara Ford Doyle:
selected for gallery display
Una Gita in Kayak, Costiera Amalfitana
A series of unique digital photographs, and the gown that inspired artist Alan Trugman to create them.
Artist talk: October 9th, 7PM
ArtSynergies members Mary Doering, Barbara Ford Doyle, and Alan Trugman are represented in this show.
Juror Tillman Crane: "It is often said that a good photograph leaves us with more questions than answers, but I think a good photograph also makes a statement, defines a relationship, exposes an emotion or is a stunning study in design."
View exhibit at www.photoplacegallery.com.
Barbara Ford Doyle:
selected for online gallery
Bird Mask 2
Three-day workshop 10AM-4PM
Tel (781) 383-2787
Using textured plates, students will print a series of related monoprints, and attach selected works to wood panels, then seal with melted beeswax mixed with damar varnish (encaustic medium). Organic matter or found flat objects may be embedded in additional layers of beeswax, creating subtle and intriguing layered works uniquely preserved. Previously printed monoprints or monotypes may also be used, as well as portions of digital images.
A juried exhibition showcasing members of Cape Cod and Islands Art Educators Association.
Lee is also AFCC Member of the Week in the Voice of the Arts eNewsletter.
Lee Connolly-Weill:
Blue Wave
Opening Reception: July 9th, 7PM
JUROR: Jim Casper
Jim started LensCulture in 2004 to explore the diverse ways photography is used in the arts, media and daily life in cultures around the world. Since then, LensCulture has grown to be regarded as a highly valuable, engaging and inspiring resource for photographers, students and art lovers. In 2010, Jim teamed up with international partners to launch the annual LensCulture FotoFest Paris portfolio reviews, which bring together participants from over 45 countries each November. Prior to Lens Culture, Jim served as founder and president of Casper Design Group for 20 years, an international branding and corporate communications design firm based in Berkeley, CA. He currently lives in Paris.
Barbara Ford Doyle:
Vista da Praiano
Alternative Process
As one who holds a special affinity for alternative photographic processes, striving for harmony between process and materials along with imagery and content is as essential as masterful execution to me. And while I’m most often moved by images that peek my intellectual curiosity, I also appreciate work that embraces a simply beauty. I seek art that compels me to see differently, forces me to have pause and retains my attention beyond the average viewing experience. I believe that this selection of work will offer the viewer with a refreshingly diverse and excitingly inventive glimpse into the world of alternative photographic arts.
Juror Amy Holmes George
Mary Doering:
Headstrong
Opening Reception: May 30th, 5-7PM
We are excited to announce, in conjunction with the publication this spring of Deborah Forman’s book Contemporary Cape Cod Artists: On Abstraction (Schiffer Publishing, 2015), that we are curating an exhibition of works by a selection of artists included in the book.
Sara David Ringler is one of the exhibiting artists.
Mary Doering:
Story #14
Lee Connolly-Weill:
Out on a Limb
Alan Trugman:
With Eyes Towards Heaven
Opening April 4, 5-7 PM, artist talk 5 PM
The first juried exhibit of 2015 to be curated by Cotuit Center for the Arts is dedicated to exploration of the human figure. The exhibit is open to two and three-dimensional figurative artists (artwork referencing the human figure) working in any medium.
Barbara Ford Doyle:
Ciao Madonna!
Sara David Ringler:
Keeper of Secrets #2
Joyce Zavorskas:
Bob
Martine Jore:
Read and Write
April 3, Reception from 5-7, followed by a reading of the Mutual Muses poets from 7-8 PM.
Mutual Muses VII: A Marriage of Visual Art and Poetry features the work of 100 of the Cape's finest painters, photographers, artisans, and poets inspired by one another’s creations. Come meet the artists and poets and enjoy their work and refreshments.
Gallery hours are Mon-Fri, 9-5; Sat. 11-5; Sun 12-5. And evenings by chance.
Alan Trugman:
Intrusive Recollections
MARCH 2015 Cape Cod Magazine
Michael and Suz Karchmer's article is an 8-page spread about iPhoneography offering tips on making a good image with your mobile device and showcasing work by the iPhone study group "iPhone 9." ArtSynergies members Alan Trugman, Mary Doering and Barbara Ford Doyle are part of the iPhone 9 group.
Martha one of four photographs by Lee Connolly-Weill.
Digital Photo Transfer Demo with artist Barbara Ford Doyle
10:30AM - 12:30 PM
Tel (978) 369-2578
This demonstration will enable participants to see how to apply photographic transfers to various substrates. Barbara will discuss the use of a computer, Adobe Photoshop, and inkjet printers for printing on specially coated DASS™ film. She will offer suggestions for presenting work and will prepare a list of resources.
Barbara Ford Doyle:
Homage to Fox Talbot
Mary Doering:
Mother Nature, Human Nature
Lee Connolly-Weill:
Camouflage
Joyce Zavorskas:
Ocean Rising
Amy Heller:
Plug
The Arts Foundation of Cape Cod, together with the Cotuit Center for the Arts, announces the eighth year of their collaborative winter exhibit. The exhibit is titled Opposites Attract, featuring artists’ interpretation of “opposites attract” – literally and figuratively.
The exhibit is free and open to the public. A series of child-friendly events are scheduled over the course of the month. School groups will be welcomed to the exhibit for free for the duration of the show, and will be given docent-led tours and art instruction customized to the age level of the children.
Martine Jore:
Side by Side
Sara David Ringler:
Chaos and Order
Reception: January 9, 5PM
There are many fine artists among the nearly 2000 Cultural Center members. Their work will be on exhibit in all four galleries.
Lee Connolly-Weill:
Day by the Sea
Juror Matthew Christopher selected Mary Doering’s image: What Remains out of a field of 1,400 applicants as one of the forty images to be printed and hung at the PhotoPlace Gallery in Middlebury Vermont. An additional thirty five images can be viewed on line www.vtphotoworkplace.com
IN THE MAIN GALLERY
For the second year, The Griffin Museum has invited all of its current members to exhibit in the Winter Solstice Exhibition. From across the world, artists entered one piece to be on display for December 2014. Over 140 photographs are represented in the Main Gallery of the Griffin and display a spectrum of genres and processes.
Reception: Saturday, December 6 from 1 - 3 PM
An exhibition of five contemporary Provincetown artists: Midge Battelle (oil painting), Chip Brock (mixed media prints), Jean Fogg-Brock (printmaking & painting), Gail Browne (printmaking & painting) & Amy Heller (cyanotypes).
Click here to read Deborah Minsky's article about Amy in the Provincetown Banner:
Joyce Zavorskas:
Storm
Lee Connolly-Weill:
Something Caught My Eye
Each year the Center seeks submissions for the annual Member, Student and Faculty exhibit. One work may be submitted and will featured in this exhibit. There is also an annual members talent show immediately following the opening reception of this annual exhibit which celebrates our patrons and allows us to say “thank you” to our artistic community.
Barbara Ford Doyle:
All I Wanna Do...LA, California
Alan Trugman:
Wharf Lane
Mary Doering:
